Secrets of the TV writers’ room: inside Narcos, Transparent and Silicon Valley



Every age creates its signature way of telling and consuming stories. The Jacobeans had the blood and lust of popular tragedy. The Victorians had the great social novel. The 1960s had new journalism. The chosen form of our own age is the downloaded serial drama. While the energy and ambition of screenwriters was for nearly a century invested in two-hour feature films, for the past 10 years, ever since The Wire and The Sopranos and The West Wing showed what might be possible, it has been in the 10-hour arcs, and annual seasons of streamed drama.

Those shows – Scandi-noir, Game of Thrones (and its progeny), Breaking Bad and the rest – have created a new kind of relation between creators and viewers. The stories are made not only for total immersion, but also presuppose the potential for binge-watching. Since Netflix started uploading whole series, days and nights are lost to the “just one more episode” of unfolding dramas, in the way that we might once have been invited to lose ourselves in books.

The idea of binge-ing on drama has some negative connotations, but the facts suggest that far from seeing this habit as time wasted, we tend to think of it as fulfilling in the way that time devoted to great fiction always was. In 2013, Netflix did a study into why 73% of viewers felt overwhelming feelings of comfort when immersed in these dramas. The company sent an anthropologist, Grant McCracken, into viewers’ homes to discover the reasons for this: “TV viewers are no longer zoning out as a way to forget about their day, they are tuning in, on their own schedule, to a different world. Getting immersed in multiple episodes or even multiple seasons of a show over a few weeks is a new kind of escapism that is especially welcome.” The usual attention deficit of the internet was replaced by something more complex and satisfying.

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In-Scribe Authors’ Use Social Media to Great Effect

Social Media has proven to be a great way for In-Scribe authors to get word out about their latest releases.

Some Authors favour the personal touch of Instagram and Facebook and other’s prefer the snappier approach that Twitter offers.

Tim Truelan and Marcia Lake, in particular, have used different approaches to their Social Media, but both have garnered many fans/followers and love what social media has brought to their writing life.

If you are thinking that adding social media to your writing day might be complicated or time-consuming, think again. You can actually engage a social media expert (like In-Scribe) to compose your Posts and Tweets – or opt for a photographic slant on your publicity – Instagram and Pinterest are the best options for a visual foray into social media.

Whichever way you choose to use social media, stay focused and up-beat in your posts – and don’t forget to use tags, hashtags (i.e. #yournamenameofyourbook) etc – have a great time reaching out to your readership.